That’s right. An AUTOGRAPHED eBook! Thanks to the awesome folks at Authorgraph, you can now request an autograph of any one of my eBooks. You can check it out here! Happy reading, friends!
Well, I’ve been kicking around doing this for a long time, but I finally decided to give it a go. I am excited to announce that The Purloined Prophecy (The Chalam Færytales, Book II) is now available in Kindle Unlimited! This means that you can read it for FREE with a KU membership.
My hope is that it gets the book in the hands of more people who are asking to read it, and that it’s a way for people on a budget to enjoy a great story! So share the news with your friends and family and happy reading!
Every færytale has a beginning, and every heart has its secrets.
I’m so excited to share this exclusive collection of short stories with you — the story before the story began! Here’s the blurb:
The accident that nearly ended it all before it began…
Prince Ferryl is content with the simplicity of his days with Elizabeth—horse races through the fields and forests, lazy afternoons in their Secret Place… Until one day his whole world comes to a screeching halt. When Elizabeth is thrown from her enigmatic winged horse, the prince is left to grapple with the possibility of losing her forever—and the consequences of not ever sharing the secret he’s hardly admitted to himself.
Will the crown prince ever get to tell his best friend the truth in his heart?
In this collection of exclusive Chalam Færytales short stories, dive into the past and learn just how the lifelong friendship between Ferryl and Elizabeth began. Plus, learn about the harrowing accident that almost took Elizabeth’s life—and led Ferryl to realize just what he was missing. This is where the færytale began—and where their epic love took root.
Sounds juicy, huh? I just love these short stories. You’ll get to go way back in time to the very beginning with Ferryl and Elizabeth — and follow their færytale love from its fragile beginning to the moment that changed everything.
And the best part? It’s FREE! I mean, c’mon. What are you waiting for? Get yours here:
I see this a lot in my reader groups: people (particularly girls) asking for recommendations of novels with strong female leads. And then inevitably, fifty people comment with various novels they love and recommend. And almost exclusively, the novels feature ass-kicking women with hyper-masculine tendencies and abilities that somehow mark them as “strong.”
And inevitably, I roll my eyes.
Now let me just say that I will be the first to admit that I’m a Sarah J. Maas fan, and she is the queen of writing ass-kicking female leads. And I am fully aware of the hypocrisy of my own stance here for even liking her books. But I will just say that any trope, when written well, can be overlooked. Even enjoyed.
It’s still a trope. And it’s one I think we should address.
In today’s society, gender is almost a bad word. There’s a chasm between those who think gender is binary, and the other side who is shouting with ever-louder bellows that gender is much more than we’ve defined before. And for the sake of my own sanity, I won’t get into the nuances of that argument, except to say this: I believe gender is both binary and varied. And I believe that’s what makes humanity beautiful.
Because there are plenty of men who love ballet and art and cooking and reading and playing the piano and performing and [insert any defined “feminine” hobby or preference here]. There are plenty of men who cry at a great movie, who are tender and compassionate, who are not afraid of their emotions. And they are no less masculine for it. Because masculinity has nothing to do with what you enjoy, nothing to do with your personality, and everything to do with innate responses to the world around you.
And the same goes for females. As far as the pink-loving, glitter wearing, ruffle-clad gender norms are concerned, I am not the typical female. My favorite color is black. I like to hunt and fish. I’d rather be in the mountains. I don’t wear high heels. My cuticles look like crap most of the time. I can’t stand most romantic comedies. And my favorite movie is Braveheart. Yet I am fully female and fully feminine and I am glad to be. I don’t consider femininity weak, lesser, or of any less value than masculinity.
So it really bothers me when modern culture purports that in order for a woman to be strong, she must take on masculine characteristics. Like it or not, women are, by nature, physically weaker than men. We are not capable of the feats most men are. Of course there are exceptions. Of course. But as a rule, my husband can do more physically than I can. And that does not make me weak. It makes me different. Because believe me, there are plenty of things I can do that he cannot.
So when authors write female leads who can fight like a man and take down most of them, it bothers me. (If you’re a Maas fan, I know you’re probably saying, “But Morgan, Aelin [Throne of Glass] is also feminine! She loves dresses and chocolates and pretty things and…” Yeah. I know. But I would argue that it is not a love of dresses that makes one feminine. Why can’t a man have an appreciation for fashion? Why does that make him less masculine? Why can’t a woman not have an appreciation for fashion? Does that make her any less feminine?) Why should the ability to fight like a man mark a woman as strong enough? Why shouldn’t innate nurturing and empathy be marks of strength? (I won’t even go into childbearing, childbirth, and child rearing. Because God help us if a man ever had to experience a contraction. But I digress.)
Let’s flip this coin and look at it from another perspective. My husband cannot and does not see the world the way I do. He does not consider the reasons behind what people do first—he considers whether or not what someone has done is a reason for recourse. Protection first. Consideration second. But not me. As a woman, I default to considering the why behind actions first. I stop to think about what makes people the way they are, and often that leads me to give grace and mercy before acting. And likewise, it often leads me to advise my husband to do the same. Where his instinct is to protect first, mine is to nurture first.
And both of things are good. Of equal importance. And equally strong.
I don’t need to kick ass in order to prove my strength. My husband does not need to watch a rom-com in order to prove his sensitivity. We can be different—complimentary—and be at our best. Strong. Beautifully nuanced.
It became my heart’s anthem to find a way to convey this genuinely. I wanted to show what I’ve learned from my own marriage—that complimentary qualities are better when they’re together. And that inherent masculinity is strength just as much as is inherent femininity.
It’s the very reason I wrote Elizabeth (the main character in The Promised One) to be the way she is. She speaks her mind. She does not think of Ferryl as superior or stronger or better. Nor does she think of herself as superior or stronger or better.
They are equal.
*Gasp.* What a concept.
My two main characters are equal. Partners. Masculinity and femininity working together. Side by side. Not in front or behind. And as their story progresses, you see this more and more. Without spoiling anything for those of you who haven’t read it yet, I will simply say that their story is one of showing how feminity is its own kind of strength, just as needed and powerful as a man. And it has nothing to do with high heels and dresses and ribbons and bows. It’s a story that shows how we were designed to compliment each other, not vie for the title of “strongest.”
Perhaps that’s the whole point. Because perhaps femininity and masculinity are stronger when they’re together.
Shallow art does not equal good theology. Let me say that again.
Shallow art does not equal good theology.
If art isn’t authentic to the human experience, it’s not art.
There. I said it.
This topic can be…touchy, to say the least. For Christians, anyway.
I think we’re scared…
I’ve avoided it, to be honest. I thought to myself, “If someone brings it up, then talk about it. But don’t open that Pandora’s Box. It’s not worth it.” People have brought it up in my inner circle. But I can tell that they, like me, weren’t sure what to say about it. Perhaps they couldn’t make eye contact. Or perhaps they toed the sand and danced around the subject with shrugs and incoherent grunts. And I think maybe I know why…
We’re scared. Or maybe we’re chickens. But we’re afraid to say what we really think. For whatever reasons (which I am positive there are many, but that’s for another blog post), we think that if people knew how we really feel, they’d think less of us. Judge us. Run screaming from our heretical ways.
Okay, perhaps I’m being a bit dramatic, but I’m trying to make a point. Because I think the bottom line is, as a whole, Christians don’t make authentic art anymore. At least not in the mainstream. (Before you get your panties in a wad, let me clarify: I know this is not a universal rule of thumb. I am saying that it is generally true, with few exceptions.)
Hear me out.
What happened to us?
When I look at the Sistine Chapel, when I listen to Handel’s Messiah, when I read Lewis, or Spurgeon, or heck even Tolkien, I am forced to wonder what happened to modern art. I am forced to wonder how we traded The Screwtape Letters for some of the Christian fiction drivel you can pick up on Amazon.
I am Christian. I make no bones about that. But neither do I shove it down your throat. You’re free to have your own thoughts and beliefs, just as I am free to have mine. Just as I am free to infuse mine into my writing and art. Which I do. If you’ve read even a chapter of one of my books, you can tell that my faith is integral to who I am.
But I refuse—REFUSE—to let the ideals of what my faith should produce dictate the content of what my art conveys. Or to put it more bluntly: just because I’m a Christian does not mean I am going to write G-rated books. Just because I believe in a perfect God does not mean I am going to write perfect characters or idyllic stories.
Listen, I’ve read a lot of modern Christian fiction. It’s terrible. (Granted, there is some that is not, but it’s a SHORT list.) And I mean that in the most sincere way. It’s weak. Ineffective. Laughably shallow. It focuses on faith as if it were this thing to master. As if belief in the Almighty were a checklist for the day.
- Bible reading? Check.
- Kindness to a widow? Check.
- Prayer at dinner? Check.
- Church on Sunday? Check, check.
I think life is a little more nuanced than that, don’t you? And quite frankly, I think we–the humans God created–are a little more colorful than that.
We’re all flawed.
We’re flawed in profound ways. Profound. We’re addicts. We’re liars. We’re thieves. We’re miscreants. We’re whores. We’re oath breakers and failures. We’re cheaters and swindlers. We’re murderers and haters. We’re bigots and shunners. We’re people. In every flawed color. We’re people. Humans.
And I think it’s high time Christians stop pretending like we’re not.
Conversely, I read a lot of mainstream fiction that also conveys a lie. It purports this ideal that self is the ultimate prize. That if we can learn to love ourselves, we’ll have it figured out. That if we can find our inner strength, we’ll have arrived.
I don’t know about you, but my strength fails me on a continual basis. And the moment I start thinking I’ve got my sh*t together, it usually hits the fan. In that vein, I think the majority of modern mainstream art lies to us, too.
So what, then?
When I set out to write The Promised One, it was not with the intention of writing Christian fantasy, or even anything particularly meaningful. It was simply a færytale love story. It was honestly just a labor of love that morphed into something much deeper. It became an opening into another world–a world in need of redemption much like ours. As I wrote the love story I wanted to read, it hit me: love here on earth is meant to be a shadow and portrait of a greater Love. And it is often through our love stories that we learn, begin to understand, or even find the greater Love.
But as the characters came to life on those pages, I wondered what people would think of them. Of the seventeen year old girl who slept with her boyfriend and carried his child. Of the prince who was more interested in flirting with the ladies than living up to his responsibilities. Of the orphan who hated the idea of the divine. Of the mother who would stop at nothing to get her way, even at the expense of her family. Of the foul-mouthed brother whose temper flared at the drop of a hat.
But much more so, I wondered what my Christian friends would think of the language, violence, debauchery, murder, incest, betrayal, dark magic, and more in my books. I wondered what my non-Christian friends would think of writing a couple who waited until their wedding night to have sex. I wondered what my Christian friends would think of the protagonists who were sleeping around or ambiguous characters who murdered and lied and played a game for the sake of their own gain. I wondered what my non-Christian friends would think of the scenes with Providence himself showing up.
In other words, I wondered where my story fit.
A Square Peg…
It’s too Christian to be mainstream, and much too mainstream to be Christian.
And when I first queried it to publishers, I wasn’t sure who would pick it up. I knew a Christian publisher wouldn’t touch it with a ten foot pole as long as the characters remained messy and foul-mouthed and *gasp* not virgins. And I knew a mainstream publisher would want to white-wash the more powerful moments with the Creator, and the general notion of monotheism as an ideal.
I was unwilling to compromise on either front. When I was offered a publishing deal from a mainstream publisher, I eventually turned it down for those very reasons.
The Adventure of the Blue Ocean
So I decided to venture out into unknown waters. I decided to put this book out there and see what would happen. I decided to try something different: to present people as they are, not as they should be. And to present the concept of God divorced from the box Christendom has put him in over the centuries. To write a book with authentically flawed characters who discover the need for a perfect Creator through those flaws, not in spite of them. I took the risk of offending my Christian friends with my very much NOT G-rated content, in the hopes that maybe they could identify with my characters. I took the risk of offending my non-Christian friends with a blatantly spiritual story of the need for redemption, in the hopes that they might identify with my characters.
Because that’s just it. I think it is precisely through our flaws–and the flaws of those around us–that we find out our need for something more. It is in the imperfections that we go in pursuit of perfection.
I want to make something clear: by saying that shallow art does not good theology make, I am not implying that I have somehow found the formula for good art. I am not saying that my books are better, or deeper, or more profound by any means.
But I am saying that my books are authentic. You will not find characters who fit the bill of Christian idealism. Nor will you find characters who make good choices very often, if ever. But you will find characters who are searching for that ideal. Characters who are aware, even if only intrinsically, of their need for something more.
That’s the kind of art that doesn’t happen too often in this world.
Oh yes, there are those who make it. U2 comes to mind–raw music that explores the mystery of the divine from the flawed and inadequate human perspective. I think Crowder scratches that surface, too. (Listen to Praise the Lord by Crowder if you’re looking for some profoundly raw lyrics.)
I used to shake You like an 8-ball
I used to shoot You like a gun
I used to hold You like a hammer
Try to nail down everyone
I used to keep You in a steeple
Used to bind You in a Book
I used to take You like prescription
Without knowing what I took
~Praise the Lord, Crowder (American Prodigal)
As for authors, I will confess I haven’t read much modern Christian fiction like that. I’ve read more Christian non-fiction that ventures down that path. Blue Like Jazz comes to mind. Think what you will of his theology, Donald Miller at least explores the possibility that the god we’ve fashioned over the centuries just might be a tad bit bigger than the limitations we’ve put on him. I tend to agree. Wholeheartedly.
Exploring Authenticity in My Art
I think that’s why I wrote The Promised One, and the subsequent books. To explore the idea of the Creator outside the bounds of religion. Outside the bounds of preconceptions. Outside the bounds of limitation. To let imperfect people stumble upon him and then discover–as I think we all do on some level–a keen need for him.
I put this out there in the hope that maybe there are more of us. I think there are. I think perhaps there’s a whole coven of us, hidden in the caves, wishing that the bubble of modern Christian culture would burst. Wishing that we offered a little more steak and a little less breastmilk.
And at the same time, I think there’s a whole world out there wondering why self has let them down time and again. If there is something more. Something bigger. Deeper. Wider. Brighter. Better.
Hint: There is.
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